I am drawn to organic forms and patterns, to natural phenomena that the human eye and spirit respond to as both fresh and timeless.

Nest, egg, scale, branch, vein, river, bone and stone: As Isamu Noguchi declared “I keep looking for different ways to say the same thing.” I know I’ve gotten it right, when different people identify a breadth of imagery in the same piece.

“That reminds me of coral,” one exclaims, while another sees lacy stinkhorn and still another sees blood vessels. Art is a process and a practice of consideration and revelation and it is my dearest hope that the process will continue in the lives of those who use and enjoy my work.

Please note: The pieces shown below are examples of recent and current work. Some may no longer be available for purchase. Click the SHOP button above to see what is currently available on line. Even more work is available at the studio/gallery in Lincolnville. Feel free to contact me if you have any questions or would like to set up an appointment to visit. Measurements are approximate.
Upcoming Events

As part of the LoKo Arts Fest in Potsdam, NY, my solo show, Tributaries, opened in the Brick Gallery of the Gibson Museum on the SUNY Potsdam campus April 26. The exhibit consists of a selection of cups, BellVen collaborative pieces, Wrack Line paintings, and Home Series pieces. The show is open to the public and will run through May 22. Special thanks to the collectors who generously lent work for the exhibit.

Thank you to everyone who stopped by during the Maine Pottery Tour open studio weekend. It was great to see your smiling faces. Special thanks to all you returnees! Hope you enjoyed the cookies.

As I write this update, Jody Johnstone‘s big wood-fired kiln in Swanville is being stoked around the clock and temperature is slowly building. Jody, Cory, Thea, Kyla, Meghan, Miki, Jean, and I finished loading the kiln Monday evening (we’d started the previous Wednesday). The weather was terrific (the black flies were less welcome) and the meals together were truly inspiring. We plan to finish the firing next Tuesday. Unloading will likely happen a week later or so. I really love working with this crew.

I am thrilled and honored to have been awarded a Pace House Residency which I will be attending at the end of the month. I plan to work on my Wrack Line project.

I will be back in June and look forward to seeing or hearing from you.

Take good care.


May 11, ’22

My work has to do with ideas of home, family, and our relationship to nature.

I use materials such as clay, paint, and found objects to explore these subjects. Girding these ideas is an overarching sense of responsibility as an artist to bring light to the ineffable, to play my role as pioneer and mediator between the known and unknown.

For the most part, I work alone in my studio.  Solitude allows me to engage in processes that require concentration and clarity. However, I have come to realize that much of the energy and motivation to sustain this practice comes from direct and meaningful engagement with the world outside my studio. Working alone has never meant working in isolation. The people in my life mean the world to me. Family, former students, artistic colleagues, my  community of friends keep me company in the studio – sometimes physically but most often in spirit and memory. Their wisdom and experience, the energy of their lives, form the periphery of my quiet contemplation.

In my studio, I get to travel. By engaging with materials and processes (drawing, carving, throwing, printing, painting, etc), I go places that my mind may not go on its own. Most often, I’m well into a body of work before having any clear idea what it’s about. Sometimes I don’t know what’s important about the work until long after it’s finished.  I very seldom begin with an idea and make work to illustrate the idea. That’s like having an idea of a place and going there with the sole intent of confirming that idea.

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I follow these threads through my life: making things, cooking, drawing, sailing, teaching, being a father (the very best work I’ve been a part of). I have never let go of the stage in which I learn from my fingertips inward.

My undergraduate degree is in printmaking with a minor in sculpture. I worked as a goldsmith and carpenter/builder before becoming an award winning high school art teacher. Seventeen years in the classroom were interrupted only by a year-long sabbatical in the south of France, where I worked in Atelier Buffile and studied painting and critical theory at the Marchutz School. Later, while still teaching, I earned an MFA with a concentration in ceramics and drawing.

I’ve taught as an adjunct professor at University of Maine Augusta, U-Rock, and Unity College and have facilitated numerous workshops. I’ve been a resident artist at Anderson Ranch, Watershed Center for the Ceramic Arts, and Haystack Mountain School of Crafts.

As an artist, my work has won awards in several national juried competitions. It is held in both private and public collections including the San Angelo Museum of Fine Arts, the Canton Museum of Fine Arts, and Harrisburg Community College.

Currently, I live and work in Lincolnville Center, Maine with my wife Kate Braestrup. We share loving six grown children.

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Come Visit

With a bow to the way of the world, I’ve reluctantly conceded to opening an on-line shop, but, by far, I prefer an in-person exchange. This work takes time to make. It’s not intended for a one-click world. Nevertheless, it is intended for you. If you have any questions whatsoever about the work – size, material, price, why – I encourage you to call or text me (207) 975-3456, or email [email protected].

Even better, or as a follow up, come visit the studio in Lincolnville Center. If circumstances allow, I’d love to make you a cup of coffee or tea. I’m here most of the time, but to make sure, call or text (207) 975-3456 to make an appointment.

You can also find my work at Page Gallery on Bayview Street.

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