Summer Newsletter

Announcing a very special
July 8 and 9
10 am to 4 pm each day
10% of weekend profits will go to the Watershed Center for Ceramic Arts building fund

In conjunction with Watershed’s Salad Days event, the New England Craft Tour, and my continued campaign to keep things fresh and lively, I’ll be hosting three marvelous guest artists at my next Open Studio.

Mark Bell is a master potter extraordinaire, known for his refined forms and amazing glazes. His work is collected around the world. He and I have been working on a collaborative project for nearly four years.
Tim Christensen’s black and white pots display Tim’s remarkable skill and his deep commitment to the natural world. He writes, “Above all, I draw to illustrate the wonder and mystery of living in the world we share.” Tim and Mark work together to fire our work in Watershed’s salt kiln.
Ben Breda combines elegant, highly considered handles and blade forms with the utmost attention to the intricate demands of this traditional craft. It is clear why this young knife maker is rapidly gaining the attention of both makers and collectors around the country.  Also, Ben was a former student of mine. He makes me so proud.

Regarding the struggle to keep my work vital and dynamic, I once wrote, “Inspiration pulls, influence pushes.” These three outstanding artists certainly keep me moving. Call or write for an appointment to visit the studio, or join me July 8 and 9 for conversation, cookies, and a chance to see our work work together.

Last thing: the spring wood-fire at Jody Johnstone’s kiln went spectacularly well. I just added many of my new pieces to the website and e-store. Take a look!

Just Three Years

I started this piece over three years ago. I’ve done others like it, but not to this level of detail. Initially, I threw a number of vases in this form, but chose this one to carve.  It took days and days to draw the pattern. When I finally started carving, it took about three days to rough carve one vertical row. I got a bit faster as time went on. There are forty rows. I would work on it for a length of time and either lose patience, focus, or be called to another task before setting it aside. After the first month of working on it, I seldom worked on it for more than a week at time.  At one point, I thought that I couldn’t finish it, but a supportive and enthusiastic collector encouraged me to push through. Once I finished carving, I bisque fired it and found myself at another hurdle. Glaze. I was nearly paralyzed by the possibility of getting the glaze wrong. There are potters who live to glaze. I don’t fall in that category. My solution was to make smaller ‘test’ pieces. You may be able to recognize a few on the website. After several attempts I found the right glaze combination and application. Et voila!  I’m curious to see where in the world it goes.

This piece is not listed on my web store. Please call if you are interested in purchasing it for your collection (207)975-3456.